AWS for M&E Blog

Mark Stephens

Author: Mark Stephens

Mark Stephens is a Principal Solutions Architect at AWS with 20+ years of experience in Media and Entertainment.

How to add Open Job Description in your render pipeline

Open Job Description (OpenJD) is a new open specification introduced by Amazon Web Services (AWS) in January, 2024 that makes job submissions portable across any rendering pipeline. OpenJD includes three Python libraries and tools packages that anyone can use to create integrations with their render pipeline. Openjd-cli provides a command-line tool to develop and run […]

The evolution of broadcast cloud playout

This post is co-authored by Martin Whittaker – Technical Product Director, Evertz, Aekta Joshi – Sr. Cloud Infrastructure Architect – AWS ProServe M&E, and Mark Stephens, Partner Solutions Architect – AWS. The content and opinions in this post are those of the third-party author and AWS is not responsible for the content or accuracy of […]

PixelStrings: a cloud-based media conversion platform powered by industry standard tools

This post is co-authored by Lance Mauerer, CEO and Founder – Cinnafilm, Inc., Marc Leonard, PixelStrings Developer – Cinnafilm, Inc., Alfred She, Director of Product Management – Cinnafilm, Inc., and Mark Stephens, Partner Solutions Architect – AWS. The content and opinions in this post are those of the third-party author and AWS is not responsible […]

Master control and distributed remote production on AWS with GV AMPP from Grass Valley

This blog was co-authored by Mark Stephens – Senior Partner SA, Media & Entertainment at Amazon Web Services, Mike Cronk – Vice President, Advanced Technology at Grass Valley, and Boromy Ung – Vice President, Product Marketing at Grass Valley. Live event and video production in the cloud is here. Grass Valley’s GV AMPP, the Agile Media […]

The evolution of the television live event ecosystem and how AWS and TAGVS are shaping the future – Part 2

This blog was co-authored by Kevin Joyce (TAG Video Systems), Peter Wharton (Happy Robots), Michael Proulx (Retired CTO), and Mark Stephens (Amazon Web Services). In the first of this two-part series, we walked through the linear television live event ecosystem and how it is evolving through the use of cloud. This second part is focused on […]

The evolution of the television live event ecosystem and how AWS and TAGVS are shaping the future – Part 1

This blog was co-authored by Kevin Joyce (TAG Video Systems), Peter Wharton (Happy Robots), Michael Proulx (Retired CTO), and Mark Stephens (Amazon Web Services). This blog is the first of a two-part series in which we walk through the linear television live event ecosystem and how it is evolving through the use of cloud. In part […]

Using ML in the media supply chain to optimize content creation: How to improve efficiency for operations teams and automate workflows with ML metadata

Co-authored with Rose Sponder, Director of Marketing at SDVI The content and opinions in this post are those of the third-party author and AWS is not responsible for the content or accuracy of this post.  The Challenge: Use ML to assess and validate incoming content while helping manage re-versioning and distribution tasks. Machine Learning (ML) […]

Using speech-to-text for media captioning and metadata generation

Guest post by Mark Stephens (Partner Solutions Architect, AWS Partner Program), James Varndell (Product Manager, IPV), and Rebecca Lindley (Product Marketing Associate, IPV). In our last guest post, we discussed how IPV Curator works with AWS to transform workflows and boost productivity by solving common problems in the content production industry. This time we’ll be focussing on […]

Hybrid cloud editing with IPV curator and AWS

Guest post by Mark Stephens (Partner Solutions Architect, AWS Partner Program), James Varndell (Product Manager, IPV), and Rebecca Lindley (Product Marketing Associate, IPV). There’s no doubt that modern video content production workflows can be incredibly complicated. From storing a growing library of media, to managing projects with editors in different locations, to the demand for turning content […]