AWS Media Blog

Tag: Amazon CloudFront

Foundation for Hungarian Theaters brings the stage to your home with AWS

The mission of the Foundation for Hungarian Theaters is to preserve, perpetuate, and develop the Hungarian theatrical and concert culture and tradition. The Foundation supports preservation of the artistic values of theaters and concerts. In 2020 they launched the eTheater platform for major Hungarian theaters and concert halls. With the creation of eTheater, the Foundation […]

Read More

How AWS streamed re:Invent 2020

re:Invent is the largest event of the year for both Amazon Web Services (AWS) and those of us on the AWS Event Technology Team. Live streams of the leadership sessions boast roughly 500% more viewership than other AWS events. In 2020, due to the impacts of COVID-19, re:Invent pivoted from an in person- to virtual for […]

Read More

Insys keeps the arts alive with Play Kraków

Authored Norbert Kaczmarek, Key Account Manager at Insys Video Technologies. The content and opinions in this post are those of the third-party author and AWS is not responsible for the content or accuracy of this post.   Over the past year, cultural event and festival organizers across the world have had to cancel the majority […]

Read More

Create pop-up channels using the Qvest Media Event Channel Playout solution on AWS

Authored by Thomas Pister, Lead Solutions Architect Cloud at Qvest Media. The content and opinions in this post are those of the third-party author and AWS is not responsible for the content or accuracy of this post.   In the age of social media distribution, we see more and more demand for broadcast channels for […]

Read More

How to: Dolby Atmos Live streaming using AWS Elemental and AWS Media Services

It’s the right time to get immersive. Dolby Atmos was first released in 2012 with the animated movie “Brave”. Since then, more than 950 movies, TV shows and Live events have been created using Dolby Atmos. Dolby Atmos audio is now distributed globally via broadcasts such as: SkyUK, Xfinity (Comcast); BT for top tier sporting […]

Read More

Protecting your media assets with token authentication

Video streaming is no longer exclusively done by media companies. Schools, ecommerce retailers, tech companies, and banks are creating media content to distribute directly to their consumers. Video streaming, both live and on-demand, has become the prevailing communication tool to reach the target audiences. As the value and number of media assets grow, creating a […]

Read More

Streaming Media Readers Select AWS Services

The 2020 Streaming Media Readers’ Choice Awards garnered more than 25,000 votes from more than 2,200 voters in 26 categories spanning a full range of media technologies. Included among the winners announced November 19 are four AWS services that help content providers deliver innovative viewing experiences, address accelerating demand for digital content, and monetize services […]

Read More

Spiritland Productions livestreams dynamic sonic concerts with AWS and Dolby technology

The popularity of live music festivals and concerts has swelled in recent years, with the UK leading the charts for a country with the most music festivals. The artistry, visual spectacle, and energy of the crowd remain a draw, but with COVID-19, the live concert industry came to a halt, with large gatherings no longer […]

Read More

Graham Digital looks to AWS for remote workflow flexibility

Between the 24-hour news cycle, abundance of social media platforms, and proliferation of digital technology, the delivery of information is nonstop. From significant current events to live entertainment to a friend sharing their daily activities, a wide range of content is available at the consumer’s fingertips at all hours of the day via the simple […]

Read More

Build a reliable HLS live channel with AWS Elemental MediaStore

For resilient live streams, you usually have two encoders, which creates two master manifests. However, that on its own is not enough. If one of the encoders suffers a failure – let’s say encoder 1 – the manifests for encoder 1 becomes stale (no longer updated), while encoder 2’s manifests and A/V segments continue to […]

Read More