AWS Media Blog

Category: Compute

Amazon Transcribe and email integration

Amazon Transcribe makes it easy for developers to add speech to text capabilities (also known as ASR) to their applications. Audio data is virtually impossible for computers to search and analyze. Therefore, recorded speech needs to be converted to text before it can be used by business intelligence applications. This post shows how an audio […]

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What AWS CDI means for the future of content production and delivery

Each new technological evolution in media and entertainment (M&E) has pushed the industry to reimagine content creation and consumption. Innovations like the SDI (Serial Digital Interface) family of digital video interfaces, and transporting video over Internet Protocol (IP), for instance, have dramatically impacted how television broadcasting and content production operate. The growing role of the […]

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Processing user-generated content using AWS Lambda and FFmpeg

In this post, we introduce a workflow to process media files stored in Amazon Simple Storage Service (Amazon S3) using AWS Lambda that doesn’t require copying files to Lambda’s local storage. Lambda is equipped with temporary storage space of 512 MB, which is often not sufficient for media processing. At the same time, Lambda can […]

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BandLab welcomes users by the millions with AWS

Based in Singapore, BandLab supports musicians around the world with tools and inspiration to create, collaborate, and publish their compositions. Artists use its free cloud-based digital audio workstation (DAW) to record, edit, and mix music with easy-to-use, professional-grade tools. BandLab’s integrated social and streaming capabilities let its users share the creative process with millions of […]

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Introducing new cloud-based creative studio Preymaker

The New York ad scene has received an infusion of technology-powered creativity with the official launch of Preymaker, which was recently announced following months of confidential production. Together with industry veterans Melanie Wickham and Verity Grantham, Preymaker is founded by Angus Kneale, former chief creative officer and co-founder of The Mill New York. Rather than […]

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Zixi live streams 4K content on the 5G Edge with AWS Wavelength

Sports fans and entertainment buffs have a high bar for their live streaming experiences, demanding outstanding performances on any device, quick start times, and no buffering. Viewers also want more live streamed content than ever, and, increasingly, in vivid 4K Ultra High Definition (UHD) resolution. These applications require ultra-low latencies in order to deliver high-quality […]

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How to set up a simple video-on-demand service on AWS with TrackIt

The content and opinions in this post are those of the third-party author and AWS is not responsible for the content or accuracy of this post. The production of new video content driven by ubiquitous and relatively high-quality acquisition devices (mobile phones, action cameras, etc.), along with the accelerating re-use of old libraries, has seen […]

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Automate AWS client VPN’s CRL updates, when using AWS Private Certificate Authority

Importing the updated Certificate Revocation List (CRL) for AWS Client Virtual Private Network (AWS Client VPN) Endpoint becomes a challenge, especially when the AWS Private Certificate Authority (AWS PCA) is used to generate and manage the client certificates. Normally, an Admin has to manually import the CRL file to Client VPN Endpoint before it expires […]

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Animation Research uses AWS to virtualize remote sports production

AWS also helps ARL’s Virtual Eye production arm to reduce its carbon footprint while delivering high-profile sports events to fans around the world Virtual Eye is the sports division of New Zealand-based Animation Research, LTD, which is one of Australasia’s leading 3D computer graphics production houses. For more than 25 years, Emmy® Award-winning Virtual Eye […]

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Solving OTT workflow challenges with AWS  

Authored by Tom Schaeffer, Founder, President & CEO of Float Left Interactive. The content and opinions in this post are those of the third-party author and AWS is not responsible for the content or accuracy of this post. This post discusses the history and evolution of over-the-top (OTT) streaming and outlines how my company, Float […]

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